Tête de Femme
6/26/14 – 8/8/14
Throughout much of her career, Thomas has drawn from art history with particular interest in classical portraiture, constructed interiors, and iconic representations of the female form. References to Édouard Manet, Henri Matisse, Romare Bearden and Gustave Courbet may be found throughout her oeuvre. In Tête de Femme (translated as “head of a woman”), Thomas looks to early 20th-century Cubism and contemporary Pop references, fragmenting and reducing portraiture to its most formal and geometric elements to create larger-than-life portraits of her models.